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Franz Schubert (1797 - 1828): Octet in F Major, D. 803 (1824)
Antje Weithaas, Violine / Alina Pogostkina, Violine / Veronika Hagen, Viola / Sol Gabetta, Cello / Robert Vizvari, Double Bass / Alejandro Núñez, Horn / Gustavo Núñez, Bassoon / Sabine Meyer, Clarinet

1. Adagio. Allegro 0:00
2. Adagio 12:00
3. Scherzo: Allegro vivace 24:10
4. Andante; 7 Variations 30:50
5. Menuetto: Allegretto. Trio 43:12
6. Andante. Allegro 50:24

Recorded live at Solsberg Festival 2016
www.solsberg.ch

Produced by: Thomas Märki
Sound: Joël Cormier
Regie: Johannes Bachmann
Camera: Oliver Herzog, Muriel Kunz, Julian Gresenz
Post-production: Amaury Berger

HMF Productions

Carl Maria Friedrich Ernst von Weber (18 or 19 November 1786 – 5 June 1826) was a German composer, conductor, pianist, guitarist and critic, one of the first significant composers of the Romantic school.

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Clarinet Concerto No. 1 in F minor, Op. 73 (1811)

1. Allegro moderato (0:00)
2. Adagio ma non troppo (7:45)
3. Rondo. Allegretto (Allegro) (13:37)

Walter Boeykens, clarinet and the Rotterdam Philharmonic conducted by James Conlon

Description by James Leonard
Carl Maria von Weber (1786-1826) composed his Clarinet Concerto No. 1 in F minor, Op. 73, in 1811 after his Concertino for Clarinet and Orchester in E flat major, Op. 26, and before his Clarinet Concerto No. 2 in E flat major, Op. 74. All three works were written for and dedicated to the clarinetist Heinrich Joseph Baermann, and all three show a complete understanding of the capabilities of the instrument. Weber's Clarinet Concerto No. 1 is distinctly different from the earlier concertino: where the earlier work is lightly playful and lyrically expressive, the Concerto No. 1 is deeply serious and dramatically, almost operatically, expressive. The concerto is in three movements: a forceful opening Allegro, an intensely expressive central Adagio, and an energetic closing Rondo Allegretto. Weber is clearly a master of the Romantic orchestra, and his writing for the soloists is supremely skillful throughout.

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Demonstration of a Baroque Clarinet and Chalumeau.

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Baroque clarinet: Steven Fox after J. G. Zencker, 1740–50. The clarinet is made of stained boxwood with two brass keys.
This is the kind of clarinet that Molter's concertos would have been written for, and for which Telemann wrote.

Soprano Chalumeau: Brian Ackerman, 1990s. Boxwood with two brass keys. The chalumeau is another ancestor of the modern clarinet, which was in use in the early 18th century.

Read more about the history of the clarinet here: http://[a]www.boxwoodandbrass.co.uk%2Fwhat-we-do%2F%23%2Fclassical-clarinet%2F[/a]

Featuring Dr Emily Worthington - principal clarinet, Boxwood & Brass; Lecturer in Music Performance, University of Huddersfield

Film by Angela Guyton http://www.angelaguyton.com
Funded by the University of Huddersfield Centre for Research in Performance Practices

www.boxwoodandbrass.co.uk
www.emilyworthington.co.uk

Major props to Sheet Music Boss for writing and popularizing this! Check out their Rush E video: https://youtu.be/xx1h347OzSU

Get their downloadable sheet music here:
https://sheetmusicboss.com/tag/rush-e-sheet-music

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Please like, share or subscribe! Comment and let us know how the videos have helped you. It keeps us going! :)Here is a sheet music/tab video on the song RUSH E by Sheet Music Boss on the clarinet. A clarinet sheet music arrangement which is transposed to notes that are easily played by clarinet, for the song RUSH E by Sheet Music Boss.

EasyMusicLesson teaches you to play the your favorite instrument, through well-arranged sheet music so that you too can learn how to play RUSH E by Sheet Music Boss on the clarinet as fast as you can. A clarinet sheet music with backing tracks to help your play the song better.

The video plays in the original speed first then half speed. Skip to 1/3 of the video for half speed. Please note that you can also adjust playback speed with YouTube's default player settings.

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Chords of Clarinet arrangement:
C Min C Min C Min C Min C Min C Min C Min C Min
C Min C Min C Min C Min G Maj G Maj C Min C Min
D Dom b9 Gb Dim G Maj 7 C Min C Min C Min C Min
C Min C Min C Min C Min F Min 9 Ab Maj 7 D Min 7 b5
F Min 9 G Maj G Maj C Min C Min C Min C Min C Min
C Min C Min C Min C Min G Maj G Maj C Min C Min
D Maj D Maj G Maj 9 C Min C Min C Min C Min C Min
C Min C Min C Min F Min 9 Ab Maj 7 D Min 7 b5 F Min 9
G Maj G Maj C Min F Min F Min F Min F Min Ab Maj 7
Ab Maj 7 C Min C Min G Maj G Maj G Maj G Maj C Min Maj 7
C Min C Min F Min F Min F Min F Min Ab Maj 7 Ab Maj 7
C Min C Min F Min F Min F Min F Min C Min C Min
C Min C Min C Min C Min C Min C Min C Min C Min
G Maj G Maj C Min C Min D Maj D Maj G Maj 9 C Min
C Min C Min C Min C Min C Min C Min C Min F Min 9
Ab Maj 7 D Min 7 b5 C Min Maj 7 C Min Maj 7 C Min C Min
C Min C Min C Min C Min C Min C Min C Min C Min
C Min C Min C Min C Min C Min C Min C Min C Min
C Min C Min C Min C Min C Min G Maj G Maj C Min
C Min D Maj D Maj G Maj 9 C Min C Min C Min C Min
C Min C Min C Min C Min F Min 9 Ab Maj 7 G Dom 7
C Min Maj 7 C Min Maj 7 G Maj C Min F Min F Min F Min
Ab Maj 7 Ab Maj 7 C Min G Maj G Maj G Maj C Min
C Min C Min F Min F Min F Min F Min Ab Maj 7 Ab Maj 7
C Min C Min F Min F Min G Maj G Maj C Min C Min
C Min C Min C Min C Min C Min C Min C Min C Min
G Maj G Maj C Min C Min D Maj D Maj G Maj 9 C Min
C Min C Min C Min C Min C Min C Min C Min F Min 9
C Min B Dim C Min C Min G Maj C Min Db Min Maj 7
Db Min Maj 7 Db Min Db Min Db Min Db Min Db Min Db Min
Ab Maj Ab Maj Db Min Db Min Eb Maj Eb Maj Ab Maj 9
Db Min Db Min Db Min Db Min Db Min Db Min Db Min
Db Min Gb Min 9 A Maj 7 Ab Dom 7 Db Min Maj 7 Eb Dim
Ab Maj Db Min Gb Min Db Min C Dim Db Min C Dim
Ab Maj Db Min

Melody notes of Clarinet:
D4 A4 A3 A4 D4 A4 A3 A4
A3 A3 A3 A3 A3 A3 A3 A3 A3 A3 A3 A3 A3 A3 A3 A3 A3 A3 A3 A3
A3 Bb3 A3 Ab3 A3 D4 F4 G4 G4 G4 G4 G4 F4 E4 G4 F4 F4 F4 F4 F4 E4 D4 F4 E4
E4 E4 E4 B3 E4 Db4 A3 A3 A3 A3 A3 A3 A3 A3 A3 A3 A3 A3 A3 A3 A3 A3 A3 Bb3 A3 Ab3 A3 D4 F4 A4 D5 F5
G5 F5 E5 G5 F5 E5 D5 F5 E5 D5 Db5 E5 D5 A4 F4 D4 Bb4 A4 G4 F4 E4 D4 Db4 E4 D4 A3 A3 A3 A3 A3 A3 A3 A3 A3 A3 A3 A3 A3 A3 A3 A3 A3 A3 A3 A3 A3 Bb3 A3 Ab3 A3 D4 F4
G4 G4 G4 G4 G4 F4 E4 G4 F4 F4 F4 F4 F4 E4 D4 F4 E4 E4 E4 E4 B3 E4 Db4 A3 A3 A3 A3 A3 A3 A3 A3 A3 A3 A3 A3 A3 A3 A3 A3 A3 Bb3 A3 Ab3 A3 D4 F4 A4 D5 F5 G5 F5 E5
G5 F5 E5 D5 F5 E5 D5 Db5 E5 D5 A4 F4 D4 Bb4 A4 G4 F4 E4 D4 Db4 E4 D4 G4 Gb4 G4 A4 Bb4 A4 G4 Bb4 A4 G4 F4 G4 A4 F4 E4 Eb4 E4 F4
G4 F4 E4 G4 F4 D4 F4 A4 D5 A4 F4 D4 G4 Gb4 G4 A4 B

Live recording, 5th International Clarinet Competition, Ghent, Finale, January, 2022
Flanders Symphony Orchestra, cond. Dirk Brossé
Royal Conservatory, Ghent
Sound engineer: Jos Boerland, Aliud Records
Pictures/editing: © Vandoren

In the wind concertos, for bassoon, horn (four completed works), flute, flute and harp, oboe and, above all, clarinet, Mozart shows a deep understanding of each instrument’s character and technique.

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Most of Mozart’s Wind Concertos can best be described as occasional pieces, composed on commissions from professional and amateur players, often with the express purpose of providing income for their composer and satisfying a particular trait, taste or talent of the recipient. In this respect they are very different from the Piano and Violin Concertos. The major exception is the late Clarinet Concerto (K622) written for Mozart’s fellow freemason and friend, Anton Stadler. Stadler was to have a great influence on Mozart’s writing for the clarinet, including the notable solos for the instrument in the final Italian opera La Clemenza di Tito. This Concerto, together with the companion Clarinet Quintet (K581) stands as one of Mozart’s undisputed masterpieces. That being said, the earlier Concertos all have something individual to say for themselves and occasionally reach considerable peaks of inspiration. Hardly the most obvious of instruments for a solo Concerto, Mozart’s first Wind Concerto is nevertheless written for the Bassoon. The grumbling, growling giant can, however, be an affectionate and witty instrument and that is how Mozart obviously sees it. It is significant too, that despite his less than conventional choice of solo player, the Concerto has something about it that shows the piece is throughout conceived only for the Bassoon with its own very definite characteristics. This is Mozart’s only Concerto for the instrument and it was composed in Salzburg in 1774 for the composer’s friend and amateur player of the bassoon and the piano, Thaddaeus von Duernitz. Mozart did later write a bassoon sonata for his friend as well as several piano pieces including three of his Concertos. The work is in the three conventional movements for a Concerto of the time (Fast – Slow – Fast) and generally light hearted and playful in the opening Allegro and final French styled Rondo, with lots of leaps and jumps and runs for the soloist and sweet singing tones evident in the central Andante.

Tracklist:
Clarinet Concerto in A Major, K. 622 (Oskar Michallik (clarinet), Staatskapelle Dresden & Siegfried Kurz):
0:00:00 I. Allegro
0:13:03 II. Adagio
0:20:24 III. Rondo. Allegro

Concerto in C Major for Flute and Harp, K. 299 (Marc Grauwels (flute), Giselle Herbert (harp), Les Violons du Roy & Bernard Labadie):
0:30:20 I. Allegro
0:39:56 II. Andantino
0:48:06 III. Rondeau. Allegro

Johannes Walter (flute), Staatskapelle Dresden & Herbert Blomstedt:
Flute Concerto No. 1 in G Major, K. 313:
0:57:40 I. Allegro maestoso
1:06:35 II. Adagio non troppo
1:15:31 III. Rondo. Tempo di menuetto

Flute Concerto No. 2 in D Major, K. 314:
1:23:19 I. Allegro aperto
1:31:35 II. Andante ma non troppo
1:38:38 III. Allegro

1:44:07 Andante for Flute and Orchestra in C Major, K. 315

Staatkapelle Dresden:
Oboe Concerto in C Major, K. 314 (Kurt Manh (oboe) & Herbert Blomstedt):
1:50:34 I. Allegro aperto
1:58:42 II. Andante non troppo
2:05:58 III. Rondo. Allegretto

Bassoon Concerto in B-Flat Major, K. 191 (Gunter Klier (bassoon) & Siegfried Kurz):
2:11:58 I. Allegro
2:19:54 II. Andante ma adagio
2:27:21 III. Rondo. Tempo di menuetto

Sinfonia Concertante in E-Flat Major, K. 297b (Alfred Tolkdorf (oboe), Karl Schütte (clarinet), Günter Shaffrath (horn), Heinz Wappler (bassoon) & Otman Suitner):
2:31:48 I. Allegro
2:45:36 II. Adagio
2:53:17 III. Andantino con

Herman Jeurissen (horn), Netherlands Chamber Orchestra & Roy Goodman:
Horn Concerto No. 2 in E-Flat Major, K. 417:
3:03:03 I. Allegro
3:09:32 II. Andante
3:12:52 III. Rondo. Allegro

Horn Concerto No. 3 in E-Flat Major, K. 447:
3:16:25 I. Allegro
3:23:05 II. Romance. Larghetto
3:27:02 III. Allegro

3:30:52 Concerto Movement in E Major, K. 494a. Allegro

Horn Concerto No. 1 in D Major, K. 412:
3:39:55 I. Allegro
3:44:43 II. Rondo. Allegro

Horn Concerto in E-Flat Major, K. 370b:
3:48:48 I. Allegro
3:56:09 II. Rondeau. Allegro

Horn Concerto No. 4 in E-Flat Major, K. 495:
4:02:09 I. Allegro
4:09:50 II. Andante
4:14:16 III. Allegro

4:18:21 Horn Concerto No. 1 in D Major, K. 412: II. Rondo. Allegro

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Clarinet Concerto in A, K. 622: II. Adagio · Sir Thomas Beecham · Wolfgang Amadeus Mozart · Royal Philharmonic Orchestra · Jack Brymer

Mozart Symphony No. 41 'Jupiter', Clarinet Concerto & Bassoon Concerto

℗ 2017 Smith & Co.

Released on: 2017-03-20

Music Publisher: Public Domain

Auto-generated by YouTube.

Trio for clarinet, cello and piano Op. 114 (1891), Johannes Brahms (1833-1897).

Juan Enric Lluna, clarinet
Lluis Claret, cello
Josep Colom, piano

I. Allegro (00:00)
II. Adagio (7:30)
III. Andantino grazioso (14:51)
IV. Allegro (19:18)

The Clarinet Trio in A minor, Op. 114 is one of four chamber works composed by Johannes Brahms featuring the clarinet as a primary instrument. It was written in the summer of 1891 for the clarinetist Richard Mühlfeld, and is considered by scholars as part of a rebirth for the composer who in 1890 declared his String Quintet in G Major to be his final work.

The work calls for clarinet, piano, and cello, and is one of the very few in that genre to have entered the standard repertoire. It was written for Clarinet in A, which can also be substituted by viola.

The overall mood of the piece is somber but includes both romantic and introspective qualities. Music historians and scholars have admitted that the trio is "not among the most interesting of his compositions"[1] The work incorporates a considerable amount of arpeggio patterns in its theme, complimented by conversation like passages in the upper register of the cello.[1] Perhaps due to this lack of interesting material, Op. 114 has been overshadowed by another one of Brahms' chamber works written for Mühlfeld- the Clarinet Quintet in B minor, Op.115.

However, it is very clear in the music that Brahms absolutely adored the playing of Richard Mühlfeld, and that this adoration made its way into the trio. Eusebius Mandyczewski, a scholar and friend of Brahms, wrote of the trio that "It is as though the instruments were in love with each other."

I don't own the scores nor the audio shown in the video.
-audio: https://www.youtube.com/watch?v=zCsr1qM_LRo
-score: http://ks.imslp.info/files/img....lnks/usimg/5/5b/IMSL

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Learn how to play the classic Paul Desmond composition, melody and solo, as performed by Paul Desmond with the Dave Brubeck Quartet.

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George Gershwin Blues from "An American in Paris"
Clarinet part by Henghel Gualdi
Arranged for clarinet and piano by Michele Mangani
Shoko Gamo, piano
Live recording in Tokyo
#PlaywithCorrado #Gershwin
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Wolfgang Amadeus Mozart (1756-1791)

Clarinet Quintet in A major KV 581 (1789)

00:00 - Allegro
10:00 - Larghetto
17:30 - Menuetto
25:10 - Allegretto con variazioni

Performed by members of the Academy of St. Martin-in-the-Fields Chamber Ensemble (1980).

Clarinet - Antony Pay
Violin I - Iona Brown
Violin II - Malcolm Latchem
Viola - Stephen Shingles
Violoncello - Denis Vigay

Learn to play the Game of Thrones/House of the Dragon Theme with this easy clarinet tutorial. Play along with the backing track, sheet music, and fingerings for beginners ♫ Printable sheet music available at https://www.musicnotes.com/l/dRBM8

Composed by Ramin Djawadi in 2011, the main title theme for the HBO fantasy television show Game of Thrones was so iconic that it was later reused for the opening titles of the prequel series House of the Dragon. Djawadi focused on cello as the main instrument for the theme, feeling that flute and violin were overused in fantasy music.

0:00 Tutorial
2:01 Playalong
Note: This tutorial is for Bb clarinets, including standard clarinets and Bass Clarinets

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Clarified makes it easy to learn clarinet with fun and engaging tutorials for beginners, intermediate and advanced players. Created by a professional musician and educator, Clarified is the best place to find easy songs for clarinet.

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Here is a sheet music/tab video on the song lovely ft Khalid by Billie Eilish on the clarinet. A clarinet sheet music arrangement which is transposed to notes that are easily played by clarinet, for the song lovely ft Khalid by Billie Eilish.

EasyMusicLesson teaches you to play the your favorite instrument, through well-arranged sheet music so that you too can learn how to play lovely ft Khalid by Billie Eilish on the clarinet as fast as you can. A clarinet sheet music with backing tracks to help your play the song better.

The video plays in the original speed first then half speed. Skip to 1/3 of the video for half speed.

This channel teaches recorder, alto sax, flute, clarinet, trumpet. Here are the channels with other instruments:
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Danzòn No 2 for clarinet and piano（Arr.Tang Weiguo)
Clarinetist：Weiguo Tang
Clarinet: Backun Lumière Grenadilla
Mouthpiece: Gleichweit Nunu
Ligature: Momo Special H G/P
Reeds: Légère European Cut 4.50
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