Clarinetist Jose Franch-Ballester performs the Rhapsodie for solo clarinet by Giacomo Miluccio.

Filmed in Llíria, Spain on October 23rd, 2016.

Produced by Jose F-B
Directed by Joan Garcia

Associate Professor of Clarinet Pavel Vinnitsky presents his debut recital as a CCM faculty artist with CSO principal cellist and CCM Adjunct Assistant Professor of Cello Ilya Finkelshteyn and guest artist Anna Vinnitsky, piano. The recital program includes:

WEBER: Grand Duo concertant, Op. 48
A. VINNITSKY: Spring of 2020: Four Months Without Words for Clarinet and Piano
BRAHMS: Trio in A Minor for Clarinet, Cello and Piano, Op. 114

View program details at https://www.uc.edu/content/dam..../refresh/ccm-62/docs

The concert was originally presented in CCM's Robert J. Werner Recital Hall on Sept. 20, 2022. The video was produced by CCM Digital in association with Joel Crawford Recording.

Available for purchase.

https://www.sheetmusicdirect.c....om/en-US/se/ID_No/10
https://www.sheetmusicplus.com..../title/lacrimosa-dig

Mozart's Requiem in D minor is one of the most well-loved choral-orchestral works from the entire Classical canon. This arrangement for clarinet quintet is accessible and appropriate for any school, church or concert setting.

The chords begin piano on a rocking rhythm in 12/8, intercut with quarter rests, which will be reprised by the choir after two measures, on Lacrymosa dies illa ("This tearful day"). Then, after two measures, the soprano line begin a diatonic progression, in disjointed eighth-notes on the text resurget ("will be reborn"), then legato and chromatic on a powerful crescendo. The choir is forte by m. 8, at which point Mozart's contribution to the movement is interrupted by his death.

Franz Süssmayr who completed the work, brings the choir to a reference of the Introit and ends on an Amen cadence. Discovery of a fragmentary Amen fugue in Mozart's hand has led to speculation that it may have been intended for the Requiem. Some sections of this movement are quoted in the Requiem mass of Franz von Suppé, who was a great admirer of Mozart.

#Mozart #ClarinetQuintet

The clarinet solo from the Hi Seas Hijinx! stage of Cuphead

Music is copyright Studio MDHR and Kris Maddigan

This easy clarinet duet arrangement of Alan Menken's song 'Colors of the Wind' is from the hit Disney film Pocahontas. It is written very simply and would be ideal for beginners to about UK Grade 2 level. The highest note in Clarinet 1 is top line F on the stave. The tempo is deliberately leisurely; this conveys the calm, measured feel of the piece. This arrangement is available to buy on Sheet Music Plus. Click here to download:

https://www.sheetmusicplus.com..../title/colors-of-the

Claire Summerbell is a London-based clarinetist, educator, composer & arranger. She specialises in writing intermediate jazz clarinet duets through her website Clarisheets which can be found here: http://clarisheets.com. Her work sells globally.

#colorsofthewind #pocahontas #clarinet #duet

The Houston Symphony clarinet section (Mark Nuccio, Thomas LeGrand, Christian Schubert, and Alexander Potiomkin) virtually collaborate on a song they've played together before in difficult times: "Smoke Gets in Your Eyes."

http://inktalks.com At INK2012, musician and INK Fellow Shankar Tucker mesmerizes with his soulful clarinet -- a Western instrument he modified to play his distinctive Hindustani style. Trained in Western classical music but drawn to the sounds of India, Shankar travelled to the subcontinent to study under the legendary Hariprasad Chaurasia, and is now finding viral success in the industry as a composer.

ABOUT INK: INKtalks are personal narratives that get straight to the heart of issues in 18 minutes or less. We are committed to capturing and sharing breakthrough ideas, inspiring stories and surprising perspectives--for free!

Watch an INKtalk and meet the people who are designing the future--now.
http://INKtalks.com

ABOUT SHANKAR TUCKER:
Shankar Tucker is an American-born clarinetist and composer who creates music that explores contemporary and traditional Indian sounds. He collaborates with other musicians to represent new generation Indian artists - bringing their music to an internationally and culturally diverse audience, both on- and offline.

Franz Schubert's serenade performed by Emine Serdaroglu - piano and Andrija Minčić - clarinet, at Pera Palace concert hall - Istanbul.

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Clarinet & jazz clarinet - 'Feels So Good': full album . One hour of best clarinet jazz and clarinet music.

Featured in this video are:

Track 1: One step at a time (starts at 00:00)
Track 2: Jolly great time (starts at 3:40)
Track 3: Summer delights (starts at 7:20)
Track 4: Sweet Alabama (starts at 12:08)
Track 5: The wild wild west (starts at 15:22)
Track 6: A dog's life (starts at 17:11)
Track 7: All of me (starts at 22:01)
Track 8: Only you (starts at 24:41)
Track 9: Joy of spring (starts at 27:50)
Track 10: Feels so good (starts at 30:41)
Track 11: Walking hand in hand (starts at 41:20)
Track 12: Under the tranquil moon (starts at 46:58)
Track 13: My Valentine (starts at 53:40)

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* Take some time off each day to relax and recharge by watching and listening to the vast collection of relaxation music videos on this channel ranging from blues, jazz, new age fusion through to classical music to love ballads, and even relaxing sound effects.

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#shostakovich #clarinet #symphonyorchestra #classicalmusic

Martin Fröst, clarinet
Norwegian Chamber Orchestra

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This easy clarinet duet arrangement of 'A Million Dreams' from the hit film 'The Greatest Showman' will be popular with all ages. Written entirely below the break, it is suitable for players of UK Grade 1 level. This arrangement is available to buy from Sheet Music Plus. Click here to download:

https://www.sheetmusicdirect.c....om/en-US/se/ID_No/11

Claire Summerbell is a London-based clarinetist, educator, composer and arranger. She specialises in writing intermediate jazz clarinet duets through her website Clarisheets, which can be found here: Clarisheets.com. Her work sells globally.

#amilliondreams #greatestshowman #clarinet #duet

PAUL SCHOENFIELD - Trio for Clarinet, Violin and Piano (1990) (Score)
Charles Neidich, clarinet
Lev Polyakin, violin
Frances Renzi, piano

I. Freylakh
0:00
II. March
4:00
III. Nigun
9:53
IV. Kozatske
15:15

Program notes from Neil W. Levin:
"In 1986 the well-known clarinetist David Shifrin invited Schoenfield to compose a trio for clarinet, violin, and piano, but since he was engaged at the time with a number of other projects, it was only in 1990 that he began sketching out the work. For the composer, the endeavor echoed a long-held interest in creating music aimed at celebratory Hassidic gatherings and weekday or weeknight festivities as well as at classical chamber music concert audiences completely outside the Hassidic milieu. This posed an aesthetic challenge, for the music would have to be entertaining and artistic at the same time—precisely the kind of challenge Schoenfield has welcomed in fashioning many of his compositions. The resulting Trio for Clarinet, Violin & Piano is an ingenious blend of artistic ensemble, instrumental virtuosity, and deliberately fragmented references to melodies that might well have been heard at various Hassidic courts in Europe. Many of those courts regularly employed or invited purely instrumental bands of klezmorim for their celebrations. Thus, this piece features inflections and ornaments typical of the clarinet playing in those bands, in both Europe and America. But much of the writing for all three instruments here goes well beyond such folk idioms in its sophistication, recalling moments in chamber music by composers such as Shostakovich, Prokofiev, and Bartók.

The first movement, Freylakh, is so titled because of its melodic and rhythmic representation of one of the best-known dances among eastern European Jewry. Although it is not especially or exclusively Hassidic, it was heard at Hassidic courts in the context of festivities. The frenetic energy and intensity in this work, however, generally exceeds that of any performance of a freylakh by klezmorim in the context of entertainment or dance accompaniment. From the outset, it is clear that this is primarily a concert work rather than Gebrauchsmusik, regardless of the nature of its audience. Schoenfield has described March, the second movement, as “bizarre and somewhat diabolical.” Recalling and manipulating known folk motifs, its melodic and rhythmic material reflects a typical march at a Hassidic court during a festive occasion. The third movement is titled Niggun in reference to mystical, deeply spiritual Hassidic melos in general. The final movement, Kozatzke—a Russian Cossack dance often adopted by Jews at wedding celebrations—incorporates bits of both Russian and eastern European Jewish dance tunes."

I recently performed this piece with friends at the Glenn Gould School at Royal Conservatory of Music in Toronto, ON, where I am currently a student for my Bachelors of Piano Performance:
https://youtu.be/DyRNHl1WATk

Theme from Schindler's List. Bb Instruments (Clarinet, Tenor Saxophone, Trumpet, etc.) sheet music / backtrack / play along

Long version of this video is on my youtube channel :)

Pour vous donner (gratuitement) des conseils et tutos de piano j'ai créé un canal Telegram, voici le lien pour le rejoindre :
https://t.me/aurelienfroissart

Vous trouverez aussi mes actualités et plein d'autres choses :)
I was NOT expecting this melody to sound good with a clarinet 😯 and you ? #piano#clarinet #howlsmovingcastle #merrygoroundoflife #howlsmovingcastlepiano #publicpiano #pianogare #pianoengare

#shorts #clarinet #comedy

If you are curious what pieces contain absolutely ✨iconic✨ Eb clarinet solos definitely check out these:

-Berlioz’s Symphonie Fantastique 5th Movement. (1st excerpt from the video)

-Ravel’s Bolero (2nd excerpt from the video)

-Strauss’s “Till Eulenspiegels lustige streiche” (3rd Excerpt from the video)

-Stravinsky’s the “Rite of Spring”

-Shostakovich’s Symphony No. 6, 2nd Mov.

-Ravel’s “Piano Concerto in G Major”

If you’re curious what my Eb setup is right now:
Buffet Crampon Tosca Eb Clarinet
Vandoren BD5 Mouthpiece
3.5 Strength Bb clarinet Blue Box Vandoren Reed (I trim the heel of the reed to make it fit)
Custom Barrel

And I know I’m kind of roasting the instrument in this short, but it really is fun to play! (But wear earplugs when you practice, seriously!)
Ultimately, the Eb clarinet repertoire is chock-full of interesting, varied and mostly difficult parts. Composers write for it in the same way that they write for a normal clarinet. Fast technique, wide interval leaps, delicate lyricism etc. Some of the best clarinet solos really are written for Eb. It’s just unfortunate that, because of its size, virtually every aspect of playing it becomes more difficult. However, if you ever get the chance to play it, definitely take it as it makes for a fun ensemble cycle!

If you’ve made it this far, let me know what your favorite Eb clarinet part is down below!

This duet is from "24 Easy Duets" by Josef Kueffner, published by International Music Company. This book is full of charming duets which I'm looking forward to playing with students!

Recorded by Peter Anthony Smith on a Buffet Festival Clarinet, Vandoren BD5 mouthpiece, BG L4SR ligature, and a Vandoren V12 Strength 3.5+ reed.

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Let's play “Clarinet Polka” together !
I played some parts in different octaves & trills a bit longer than it’s written.
Because I think that it’s more like the original version this way.
Share in comments if you also try it out
ENJOY

Instagram: @selingurol

#clarinet #polka #playwithme