THIS IS A BETTER VERSION AND SOUND ENHANCED VIDEO.

بیننده ی اجرای زنده ی ستین از آهنگ «زیبای منی» باشید
Binandeye ejraye zendeye Satin az ahang «Zibaye Mani» bashid

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#radiojavan #rj #satin

Hayedeh - Zade Baroon (Ai)
هایدە - زده بارون ( هوش مصنوعی )

Music Arrangement: Dawan Star

: من لە تۆڕە کۆمەڵایەتییەکاندا
Me on social media :

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تاگەکان :
پیانۆ ، پیانۆ ژەن ، فێرکاری پیانۆ ، پیانۆی کوردی ، مۆسیقای کوردی ، میوزیکی کوردی ، گۆرانی کوردی ، کوردستان
Piano , Pianist , Kurdish Piano Tutorial , Kurdish Music , Kuridsh Song , Kurdistan

موزیک ویدیو هلو از ساسی و آرش در اپ و وبسایت رادیو جوان
https://rj.app/v/3j24X1Pq

‎دانلود آهنگ هلو از ساسی و آرش در اپ و وبسایت رادیو جوان
https://rj.app/m/8EJ5wm1v

متن آهنگ هلو از ساسی و آرش
ماشالله به این بدن
همه دافارو زدم
مهمونی روی هواس آرش ساسی اومدن

ماشالله عجب فیسی با اون قد و بالای سکسی
به به عجب کیسی
چقدر خوشگلی تو
مرسی

آخ تلو تلو راه میره
این داره بگا میره
انقدر ژل زده باد کرده میزنی زمین هوا میره

این درو دافا دَدرین و میگن من آدم حولیم
بدو منو بغل کن من از بچگی بغلیم

دوست دارم بگی تو روم
سنه چوک سویوروم
شاخ تهران یک ایرون
سنه چوک سویوروم
بدون من بیبی نری بیرون
سنه چوک سویوروم
اینم سلامتی دوتاییمون
سنه چوک سویوروم

سنه چوک سویوروم

جدیدا جدیدا خودمم تازه فهمیدم
ندیدم ندیدم مثل تو خوشگل عزیزم
حالا یه ماچی یه موچی یه بوسی چیزی بابا کوشی
یه گوشه نشستی تو کوشی
پاشو موشی چی مینوشی

آخ نمیتونم راه برم دادا
انگار حاملم دادا
یه جور منو مست کردن که فاکت اپ کاملم دادا

پاشو بیا هلو جون هلو
وقتشه بکنیم شروع
بچم تازه زدم جوش بلوغ
قورتت میدم قلوپ قلوپ

دوست دارم بگی تو روم
سنه چوک سویوروم
شاخ تهران یک ایرون
سنه چوک سویوروم
بدون من بیبی نری بیرون
سنه چوک سویوروم
اینم سلامتی دوتاییمون
سنه چوک سویوروم

سنه چوک سویوروم

شدم حول تو
چوخ ممنون
میخوام بغلتو
چوخ ممنون
روی بدن تو قفلم جون آخ دهنتو
چوخ ممنون

به ما نکن اَ این شکا بابا
چشم عباس آقا

بکش بیرون اَ این حرفابابا
چشم عباس آقا

یه بوس بدین از لبتون
جون یَک یَکتون

اون بدن لامصبتون
جون یَک یَکتون

داریم باز تهرانو میدیم بگا
جون منو نگاه
یه جوری رژیم بام بده انگار ساواکی بودم زمان شاه

سنه چوک سویوروم
سنه چوک سویوروم
سنه چوک سویوروم
سنه چوک سویوروم

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#هلو #radiojavan #rj #sasy #arash

Persian Music Video

⁣Movie about Queen Soraya and the Shah of Iran beginning in 1950


Soraya (Released as "Sad Princess" in EU)
This is the way one of the most famous love stories of the 20th century begins. The story of a man and a woman who are forced to renounce their love for reasons of state and power.The film Soraya offers a chance to examine the history of the 20th century from a woman's point of view. Soraya may not have been a woman who made history, but her love and her personal aspirations made her both witness to and part of it. Set in the midst of events which moved whole worlds, the film Soraya aims to examine an important moment in the oil war, a moment which determined international politics and the lives of millions of people.


⁣ثریا - این راهی است که یکی از مشهورترین داستان های عاشقانه قرن بیستم آغاز می شود. داستان زن و مردی است که به دلایل دولتی و قدرت مجبور به چشم پوشی از عشق خود می شوند. فیلم ثریا فرصتی برای بررسی تاریخ قرن بیستم از دیدگاه یک زن ارائه می دهد. شاید ثریا زنی نبود که تاریخ ساز باشد، اما عشق و آرزوهای شخصی اش باعث شد که هم شاهد و هم بخشی از آن باشد. فیلم ثریا در بحبوحه وقایعی که تمام دنیا را به حرکت درآورد، هدف آن بررسی لحظه‌ای مهم در جنگ نفت است، لحظه‌ای که سیاست بین‌المللی و زندگی میلیون‌ها انسان را رقم زد.

Enya - Orinoco Flow (Official 4K Music Video)

Subscribe to the Enya channel for the latest official music videos, Interviews and live performances here - https://www.youtube.com/channe....l/UCNIlkuT0DYEc8aFbv

See more official videos from Enya here:
https://www.youtube.com/playli....st?list=PLA06AD2A95F

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https://soundcloud.com/enya

Lyrics:
Let me sail, let me sail, let the Orinoco flow
Let me reach, let me beach on the shores of Tripoli
Let me sail, let me sail, let me crash upon your shore
Let me reach, let me beach far beyond the Yellow Sea
Sail away, sail away, sail away
Sail away, sail away, sail away
Sail away, sail away, sail away
Sail away, sail away, sail away
From Bissau to Palau in the shade of Avalon
From Fiji to Tiree and the isles of Ebony
From Peru to Cebu, feel the power of Babylon
From Bali to Cali, far beneath the Coral Sea
Turn it up, turn it up, turn it up
Turn it up, turn it up, turn it up
Turn it up, turn it up, turn it up
Sail away, sail away, sail away
Sail away, sail away, sail away
Sail away, sail away, sail away
Sail away, sail away, sail away
From the North to the South, Ebudau unto Khartoum
From the deep sea of clouds to the island of the Moon
Carry me on the waves to the land I've never been
Carry me on the waves to the land I've never seen
We can sail, we can sail with the Orinoco flow
We can sail, we can sail
Sail away, sail away, sail away
We can steer, we can near with Rob Dickins at the wheel
We can sigh, say goodbye, Ross and his dependencies
We can sail, we can sail
Sail away, sail away, sail away
We can sail, we can sail
Sail away, sail away, sail away
Sail away, sail away, sail away
Sail away, sail away, sail away
Sail away, sail away, sail away
Sail away, sail away, sail away

Enya was born Eithne Ni Bhraonain in Donegal, Ireland. Enya studied classical music at college under private tuition. On leaving college she was asked by Producer Nicky Ryan to join her siblings in their family band. She did so for a short time, but found it too restrictive musically, and so in 1982 she joined Nicky Ryan and Roma Ryan in a creative and business partnership. Enya's first commission was to write a score for Sir David Puttnam for his film "The Frog Prince". Then, the triumvirate secured the soundtrack to the BBC documentary series 'The Celts'. Enya was then signed by Warner Music and all three by EMI Music Publishing. The first album of this contract was "Watermark" with the hit single "Orinoco Flow". This was followed by "Shepherd Moons", "The Memory of Trees", "Paint the Sky With Stars", "A Day Without Rain" which produced the single, "Only Time".

#enya #orinocoflow #4k #bossbaby2 #bossbaby

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SEASON 35: http://j.mp/1bKK7oV

The hotel room comes equipped. Aired 03/06/10

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ترانه : چشم چرون
خواننده : عهديه
آهنگساز : حسين واثقى
ترانسرا : رضا شمسا
فيلم : پاپوش 1352 ـ 1973
هنرپیشگان : هاله نظرى ـ رضا بيك ايمانوردى

♥ ♥ ♥
وقتى با منى
حواستو جم كن
كم خون به دلم كن
با اشار هات
هرزگى كم كن
كم خون به دلم كن
يار چش چرون نميخوام
من نمي خوام نه نميخوام
يار نامهربون نمي خوام
من نمى خوام نه نمي خوام
يارى كه باشه دل اون
پيش اين و اون نمي خوام
من نمى خوام نه نمي خوام
من چشاشو چشاشو چشاشو چشاشو در ميارم
من باباشو باباشو باباشو باباشو در ميارم

♥ ♥ ♥
بيا بامن دلتو يكدله كن
اگه عشقم رو ميخواى حوصله كن

از تو من يه قلب مهربون ميخوام
واسه دلم يه همزبون ميخوام

ميخوام كه يارم باشى
صبر و قرارم باشى

فقط مال من باشى
عمرى كنارم باشى

يار چشم چرون نمى خوام
من نمى خوام نه نمى خوام

يار نامهربون نمى خوام
من نمى خوام نه نمى خوام

يارى كه باشه دل اون
پيش اين و اون نمى خوام

من نمى خوام نه نمى خوام

من چشاشو چشاشو چشاشو چشاشو در ميارم
من باباشو باباشو باباشو باباشو در ميارم

♥ ♥ ♥
وقتى با منى
حواستو جم كن
كم خون به دلم كن
با اشار هات
هرزگى كم كن
كم خون به دلم كن
يار چش چرون نميخوام
من نمي خوام نه نميخوام
يار نامهربون نمي خوام
من نمى خوام نه نمي خوام
يارى كه باشه دل اون
پيش اين و اون نمي خوام
من نمى خوام نه نمي خوام
من چشاشو چشاشو چشاشو چشاشو در ميارم
من باباشو باباشو باباشو باباشو در ميارم

♥ ♥ ♥

Gol Khanoom "Flower Lady" high definition video of Goorgen, c. 2012.

Bennett (Andy Samberg) had planned on spending some alone time with his girlfriend (Nasim Pedrad), until her roomie (Taylor Swift) comes home and pushes him to the wayside. [Season 35, 2009]

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An Iranian woman makes a difficult choice.


RETOUCH is used with permission from Kaveh Mazaheri. Learn more at https://darvashfilm.com.


Young mother Maryam is getting ready one morning, trying to balance preparing her child for the day while her husband begins an exercise session.

But then her husband calls out from the other room, trapped underneath a heavy weight he was lifting. His life in the balance, Maryam initially makes a few attempts to help, but the weights are too heavy and stuck. She watches as he dies before her eyes -- giving her a moral dilemma, and a chance to remake her life.

Written and directed by Kaveh Mazaheri and co-produced by the Iranian Youth Cinema Society, this short drama seems, on its surface, a domestic-slice-of-life story disrupted by a quiet yet undeniably disturbing incident. But as it progresses, it becomes a fascinating character portrait of a woman at a crossroads in her life, presented with an opportunity to change everything.

The film rests on lead actor Sonia Sanjari, who plays Maryam with a remarkable silence and stillness. With both precision and economy, she portrays Maryam as a compliant woman with little voice in her life, who has always done what she has been told to do without much recourse for protest or complaint.

Around Sanjari's top-notch performance, Mazaheri constructs a remarkably intelligent, uniquely engaging film, making strong and memorable directorial decisions at every turn. As the film opens, the documentary-like camera chooses to focus on the husband, as he lobs a stream of small yet persistent demands for Maryam's caretaking as she tries to get her toddler to eat.

But the film shifts to Maryam at its pivotal moment, the camera and editing choose to stay on Maryam's face, the moment capturing the complexity of Maryam's response: first her ineffectual helplessness, and then her removed, distant blankness as her husband dies before her eyes. Her multifaceted, layered reaction says much about not just who she is, but what her life with her husband was like for her. It is a masterful acting moment, handled with great delicacy, honesty and bravery by a gifted actress.

After witnessing what she does, Maryam proceeds through the rest of the day, carrying her secret. The discrepancy between what she and the audience knows and the everyday life around her creates a narrative question of what she will do with her secret. But it is a testament to the film's almost forensic emotional precision that it doesn't drive the film forward in a traditional way.

Instead, its interest remains with Maryam, as well as the quotidian rhythms and concerns of Iranian life and the way women proceed within it, fitting themselves around persistent, small pressures that, collectively, exert a great weight -- a weight that perhaps pushes Maryam to make her final decision.

Situating RETOUCH in a rich and fascinating film tradition like Iran's is beyond the scope of a review, but like many of Iran's greatest films, it operates from both an objective, dispassionate distance and a subtle, understated intimacy, using both storytelling lenses to provoke questions, create productive tensions and test compassion.

An uneasy, riveting triumph of short-form storytelling, the emotions RETOUCH evokes are complex and unforgettable as the story, as it brings up disbelief, moral horror and yet genuine heartbreak as well.

Thanks for watching! hopefully you enjoyed the video :)


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هوش مصنوعی بانو هایده و شادمهر عقیلی(بزار همه دنیا بدونن)

Haydeh ( Bia bargardim beham ) هايده - بيا برگرديم بهم

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⁣Triumph of the Will (German: Triumph des Willens) is a National Socialist propaganda film made by Leni Riefenstahl.


It focuses on the 1934 Nazi Party Congress in Nuremberg. The film contains excerpts from speeches given by various National Socialist leaders at the Congress, including portions of speeches by Adolf Hitler, interspersed with footage of massed party members.
Hitler commissioned the film and served as an unofficial executive producer; his name appears in the opening titles. The overriding theme of the film is the return of Germany as a great power, with Hitler as the True German Leader who will bring glory to the nation.

Triumph of the Will was released in 1935 and rapidly became one of the best-known examples of propaganda in film history. Riefenstahl's techniques, such as moving cameras, the use of telephoto lenses to create a distorted perspective, aerial photography, and revolutionary approach to the use of music and cinematography, have earned Triumph recognition as one of the greatest films in history.[1] Riefenstahl won several awards, not only in Germany but also in the United States, France, Sweden, and other countries. The film was popular in the Third Reich and elsewhere, and has continued to influence movies, documentaries, and commercials to this day.

English subs

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